Of digital art increasingly take place at an interface provocativeīecause it means that we should start seeing the interface as an aesthetic form in itself that offers a Provocative, and far-reaching-trivial because the production, reproduction, distribution and reception This circumstance is simultaneously trivial, Place in and around books, and painting has explored the canvas, the interface is now a centralĪesthetic form conveying digital information of all kinds. Just as literature has predominantly taken The interface is the basic aesthetic form of digital art.
Of the traditional forms of art, I will in theįollowing establish the interface as an aesthetic and critical framework for digital art. While it is not my intent to disconnect digital art from traditional art, or to argue for the irrelevance
Whether net.art should be seen within the tradition of the visual arts or as a form of literatureĬonnecting it to the different traditions and questions regulating these arts. Interesting discussions have arisen concerning the very ontology of digital art, and questions such as Until now, digital arts have largely been understood to belong in traditional genres or forms of art: we are said to Interface Realisms: The Interface as Aesthetic Form
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